featured texts in English

Kurt Snoeckx, Scintillating mime and sweet revenge: Ana Torfs takes our breath away, Bruzz, 19 August 2020
Dirk De Meyer, Generated Thoughts, on Ana Torfs’ Story Generator, text of a lecture for Würtembergischer Kunstverein, Stuttgart, 17 February 2018
Laura Kokkonen, History is Based on Translations, Kunstkritikk, 21 November 2017
An email correspondence of Els Roelandt with Ana Torfs, A Tragedy in Two Acts, 2006/2016, Hearings, Online Journal, October 2016
Eveline Vanfraussen, Family Plot or four ways of seeing the world”, in: Et in Arcadia Ego—World Chaos and Idyll, Museum Kurhaus Kleve, ill.
Emiliano Battista, Portrait of the Artist As an Etymologist, in Echolalia, WIELS, 2014
Ana Torfs, Periplus: Twenty-Six Peripatetic Musings around The Parrot & the Nightingale,a Phantasmagoria, in: Echolalia, WIELS, 2014
Samuel Korn in conversation with Ana Torfs, Displayer Magazine, 2012
Anselm Franke, Missing Bodies, in: Album/Tracks A+B, 2010
Gabriele Mackert, Ghosts, or On the Beauty of Plants and Their Names in Times of Ignorance, 2010
Lothar Frangenberg of Kunstaspekte in conversation with Ana Torfs, May 2010
Michael Glasmeier, Body, Sound, Language, in: Album/Tracks A+B, 2010
Mieke Bal, Intertwined Dualities, in: Album/Tracks A+B, 2010
Ana Torfs in conversation with Gabriele Mackert, Never Trust the Artist, Trust the Tale, in: Album/Tracks A+B, 2010
Jennifer Allen, Ana Torfs in daadgalerie Berlin, in: Artforum, December 2006
Gabriele Mackert, The World Observer, in: Figures/Projections, GAK, Bremen, 2006
Dirk Lauwaert, Reading as a Form of Writing, in: A Prior Magazine #10, 2004
Jean Torrent, Correspondences, in: A Prior Magazine #10, 2004
Dirk Pültau, The Blind Singer and the Absent Composer, in: A Prior Magazine #10, 2004
Sara Tucker, Introduction to Approximations/Contradictions, for Dia Art Foundation, 2004
Dirk Lauwaert, The Intruder, 2004
Jean Torrent, à…à…aaah!, 2004
Catherine Robberechts, Du mentir-faux, for Frac Lorraine-catalogue of the collection, Metz, 2002

selected group exhibition catalogs and books


Synne Genzmer: ‘Apish and Foolish, Eleanor Antin and Ana Torfs sharing Space with the Old Masters’, in: ed. Sabine Folie, History Tales, Fact and Fiction in History Painting
With texts by Helmut Draxler, Maha El Hissy, Sabine Folie, Synne Genzmer, Eva Kernbauer, Claudia Koch, Sven Lütticken, Alexander Roob, René Schober, Bernd Stiegler, Gudrun Swoboda, Published by VfmK Verlag für moderne Kunst GmbH, Vienna, 380 p.


Johan Pas, A Kind of ‘Huh?’ Artist’s Publications, Track Report, Royal Academy of Antwerp, 2023


Finis Terrae, The End A Beginning, Hannibal Publishers, Ghent, pp 102-103, ill.


Trauma, Triennale Brugge 2021, Stichting Kunstboek, Oostkamp, p. 149, ill.

Sylvie fortin (ed.) The Bodywork of Hospitality, Online Publication, 2021


The First 30 years, Fotohof Edition, Salzburg, vol 303, Vienna, pp-469-474, ill.

Vom Klang Bewegt, Das Kino und Ludwig Van Beethoven, Deep Focus 33, (Ed.) Stephan Ahrens, Bertz + Fischer Verlag, Berlin, ill + cover.


Annette Urban, Diesseits und jenseits der (Lein-)Wand – Das Eigenleben projizierter Filminschriften in der Kunst, in: Poetik der Inschrift, Winter Verlag, Heidelberg, pp 237-238, 2021.


Reinier Salverda, Poetics of Postcolonial Art – The Installations of Ana Torfs, “The Low Countries”, Issue 26, pp. 198-208, ill., 2018


“Ana Torfs”, in Power and Other Things (Ed. Riksa Afiaty & Charles Esche), Snoeck Publishers, 2017, pp 46-54, ill.

Turning Photography, Kunstenpunt, 2017

Johan Pas, ARTISTSPUBLICATIONS: THE BELGIAN CONTRIBUTION, König Books, Cologne, 2017, pp 180, 189, 272-273, ill.

The Still Point of the Turning World, Between Film and Photography, (Ed. Joachim Naudts and David Campany), Kehrer Verlag, 2017, ill.

Els Roelandt & Ana Torfs, A Tragedy in two Acts, in Hearings, a Reader, Sternberg Press, 2017, pp 86-96, ill.

“Ana Torfs, Du mentir-faux”, in: Het grote emoticon, jubileumnr 75, Rekto:Verso, March 2017 (in Dutch)


Mieke Bal, “Q: Questions and Qualms” (about Ana Torfs’s “Du mentir-faux”), in Lexicon der Kulturanalyse, Turia + Kant, Wien/Berlin, pp 128-138, ill.

Marion Ackerman (ed.), Eyewatching, Acquisitions and Gifts. Kunstsammlung Nordrhein-Westfalen 2009–2016, Kerber Verlag, 2016, ill.

Lilian Haberer; Annette Urban (eds), Bildprojektionen, Filmisch-fotografische Dispositive in Kunst und Architektur, Transcript Verlag, Bielefeld, pp 29-30, ill.

Mieke Bal, Tiempos Trastornados, Análisis, historias y políticas de la mirada, Akal Ediciones, Madrid, pp 40-49, ill.



Eveline Vanfraussen, ‘Family Plot or four ways of seeing the world’, in: “Et in Arcadia Ego—World Chaos and Idyll”, Museum Kurhaus Kleve, ill. (catalog)

Ana Torfs, Reading Rocks, artist’s contribution in Gagarin, # 30 June 2015, pp 2-21.

Paul Vermeulen, “Open Books, Ana Torfs’Cinoc’” in Art by Commission 2006-2013, Art Team Vlaams Bouwmeester, Brussel, pp 152-157, ill.

Gabriele Mackert, ‘Ghosts, or on the Beauty of Plants and their Names in Times of Ignorance’, in: Shinji Kohmoto (Ed.)
Parasophia, Kyoto, pp 62-71, ill. (catalog)

Catherine Robberechts, ‘Elective Affinities’;‘The Intruder’ in: Sabine Folie (Ed.) + Que 20 ans après; Collected Words and Images. Generali Foundation & Sternberg Press, pp.390-395; 440-443, ill.


Berta Sichel (Ed), #1 Cartagena de Indias, Colombia, BIACI (catalog)


Mieke Bal, ‘Timely Reminders, Art in History, about Ana Torfs’ Anatomy’, in Crescendo (Ed. Juliana Engberg) ACCA, Australian Centre for Contemporary Art, Melbourne, 2013, pp. 28-29, ill.
(exh. guide)

Gertrud Sandqvist, ‘Against Method’, in: A Book about Collecting and Exhibiting Conceptual Art after Conceptual Art, (Ed. Sabine Folie, Georgia Holz, Ilse Lafer), Generali Foundation, Vienna, Verlag der Buchhandlung Walther König, Köln, 2013, pp. 321-378, ill. (catalog)

Dieter Roelstraete, “Ana Torfs”, in: The Way of the Shovel, Art as Archaeology, (Ed. Dieter Roelstraete), University of Chicago Press, 2013, pp. 238-245, ill. (catalog)

Catherine Robberechts, “Du mentir-faux”, in: Reading Cinema, Finding Words, Art after Marcel Broodthaers (Ed. Chinatsu Makiguchi)
The National Museum of Modern Art, Kyoto, 2013, pp 56-65, ill. (catalog)

The Collection as a Character
Muhka editions, Antwerp, 2013 (catalog)

Claude Blondeel, Bazaar Belgie
Borgerhoff & Lamberigts, Ghent, 2013 (catalog)

Torfs, Ana, TXT (Engine of Wandering Words)’ in: RE:EMERGE, Towards a New Cultural Cartography
Sharjah Art Foundation, Sharjah, 2013, pp. 578-585, ill. (catalog)

Bal, Mieke, ‘Deliver Us from A-Historicism: Metahistory for Non-Historians’, in: Philosophy of History After Hayden White (ed. Robert Doran)
Bloomsbury Academic, New York, 2013, pp. 67-89, ill.

‘Ana Torfs’, […] STAIN […] in: Conversation Piece: Collection Mu.ZEE Ostend Acquisitions 2007 – 2012, CAHF, Ghent, 2013, pp 89-100, ill.


Marion Hohlfeldt, ‘Geschichte wird gemacht! (Dé)constructions d’un futur imprévisible’, in
L’imprévisible dans l’art (Ed. Dominique Berthet)
L’Harmattan, Paris, 2012, pp. 110-114

‘Ana Torfs’, in: Appropriation (Ed. Petra Noll)
Fotogalerie Vienna, Fotobuch nr 49/2012, pp. 108-111, ill. (catalog)

Ana Torfs, […] STAIN […]’ in: The Deep of the Modern, a Subcyclopaedia, Ed. Cuauthémoc Medina, Christopher Fraga
SilvanaEditoriale, Milano, 2012, pp. 240-241, pp. 262-265, ill. (catalog)

Bookshowbookshop, ed. Johan Pas
Be-Part, Waregem/APE, Gent, 2012 (catalog)

Ana Torfs in conversation with Samuel Korn, in:
Displayer 04
Staatliche Hochschule für Gestaltung, pp. 61-76, image portfolio pp 77-112

Mieke Bal, “Q” for “Questions and Qualms”, in “Lexicon for Cultural Analysis”, Turia + KantVerlag, 49-81.


Lauwaert, Dirk, ‘Lezen als een vorm van schrijven. Over de teksten in het werk van Ana Torfs’, in:
Het balanseer, Gent, pp. 97-110

T’ Syen, Jolien, “Het kritisch potentieel in het werk van de Belgische kunstenares Ana Torfs”,
Masterthesis Faculteit Letteren (unpublished) KU. Leuven

Judy Radul, Marit Paasche (ed.)
A Thousand Eyes: Media Technology, Law and Aesthetics
Sternberg Press, 2011, pp. 252-255, ill.

Pirotte, Philippe, ‘A Story about Images that Wish to Stand Still’, in: Bart De Baere / Nico Van Hout / Iris Cockelberghs (ed.)
“Image-Thinking, Five Centuries of Images in Antwerp”
MAS BOOKS, Antwerp, 2011, pp 218-221, pp. 154-155, ill.(catalog)

Krystof, Doris, “‘Der Eindringling’ – Raum und Theatralität in den Projektionen von Ana Torfs”, in: Frohne, Ursula & Haberer Lilian (ed.)
Kinematografische Räume, Installationsästhetik in Film und Kunst
Wilhelm Fink Verlag, Munich


Bal, Mieke, ‘True Lies: on Ana Torfs’ “Du mentir-faux”, or Some Dilemmas of History’, in: Ottosen, Rune & Steigen, Solveig (ed.)
HiO-report 12: Framing War with Facts and Fiction in the Cultural Field
Oslo University College, Oslo, 2010

Urban, Annette, ‘Displacement’, in: Nierhaus, Irene / Hoenes, Josh / Urban, Annette (ed.)
Landschaftlichkeit zwischen Kunst, Architektur und Theorie
Reimer Verlag, Berlin, 2010

Nakas, Kassandra, Un-Sentimental Journeys. Exploring ‘Space’ in Ana Torfs’ Work in: Van Damme, Claire (ed.)
Invitation au voyage
“Academia Press”, Ghent, 2010


Lauwaert, Dirk, ‘The Intruder’, in: Tuymans, Luc / Di’an, Fan / Weiwei, Ai & Pirotte, Philippe (ed.)
The State of Things. Brussels/Beijing, .
Bozar/lannoo, Brussels/Tielt, pp. 168-169, ill.(catalog)

Braeckman, Dirk / Dietvorst, Els (ed.)
vzw Time Festival, Ghent, 2009, pp. 18-15, 302-303, ill.

Pirotte, Philippe, ‘A Story about Images that Wish to Stand Still’, in: De Baere, Bart (ed.)
“A Story of the Image”
vzw Museums and Heritage, Antwerp, 2009 (catalog)

Simon, Kati (ed.) Vérité exposée-About Memory
Ernst Museum/Mucsarnok Kunsthalle, Budapest, 2009 (exh.guide)


De Wit, Dirk/ Judong, Anne (ed.)
art flanders 08, visual arts
BAM, Ghent, 2008

Eelbode, Erik, ‘Ana Torfs’, in: Grosenick, Uta / Seelig, Thomas (ed.)
Photoart: Photography in the 21st Century
Aperture, New York, 2008, pp. 434-437, ill.

Collection of Flemish Community Acquisitions, 2002-2006
Flemish Authorities, Brussels, 2008, pp. 120, 153, 310, 382-383, ill.

Robberechts, Catherine, ‘Du mentir-faux, Ana Torfs’, in:
De Wim Delvoye à Francis Alÿs, coll. ‘500 chefs-d’œuvre de l’art belge’
Racine, Brussels, 2008, p. 54-55, ill.

Lauwaert, Dirk, ‘The Intruder’, in: Folie, Sabine (ed.)
Un coup de dés, Writing Turned Image. An Alphabet of Pensive Language
Generali Foundation, Vienna/Verlag Walther König, Köln, 2008, pp. 184-189, ill. (catalog)

Diserens, Corinne (ed.)
Peripheral Vision and Collective Body
Museion, Bolzano, 2008, pp. 80-81, ill. (catalog)

Eelbode, Erik, ‘Ana Torfs’, in: Grosenick, Uta / Seelig, Thomas (ed.)
Photoart: The New World of Photography
Thames and Hudson, London, 2008, pp. 434-437, ill.

Vorkoeper, Ute, ‘Mitwirkung am Politischen. Über Zeugenschaft und Dauer von zeitgenössischer Kunst’, in: Ott, Michaela / Strauss, Harald (ed.)
Ästhetik + Politik. Neuaufteilungen des Sinnlichen in der Kunst
Schriftenreihe der HfbK Hamburg/Textem Verlag, 2008

Glasmeier, Michael, ‘Stimme, Stimmung, Stimmen. Kunsthistorische Aspekte zu Momenten bei Ana Torfs’, in:
Das Ganze in Bewegung. Essays zu einer Kunstgeschichte des Gegenwärtigen
Philo Fine Arts, Fundus, Hamburg 2008


Eelbode, Erik, ‘Ana Torfs’, in: Grosenick, Uta / Seelig, Thomas (ed.)
Photo Art, Fotografie im 21 Jahrhundert
DuMont Verlag, Köln, 2007, pp. 434-437, ill.

Roelstraete, Dieter (ed.)
Jubilee, MuHKA 2007/1987/1967
MuHKA, Antwerp, 2007, pp. 270, 274-275, ill.

Robberechts, Catherine, ‘Du mentir-faux, Ana Torfs’, in:
Actuele Kunst van Wim Delvoye tot Luc Tuymans, coll. ‘600 jaar Belgische Kunst in 500 kunstwerken’
Standaard Uitgeverij/Lannoo, Antwerp, 2007, pp. 82-83, ill.

Krystof, Doris, ‘The Intruder’, Ana Torfs’ in: Krystof, Doris / Scheuermann, Barbara (ed.)
Talking Pictures
DuMont Verlag, Köln, 2007, pp. 89-96, ill. + text of Torfs’ adaptation of Maeterlinck’s play. pp. 97-112 (catalog)

Seelig, Thomas, ‘Du mentir-faux’ in: Seelig, Thomas (ed.)
Research and Invention
Scheidegger & Spiess Verlag, Zürich, 2007, p.120, pp. 44-53, portfolio, (catalog)

Laenen, Katrien (ed.)
Kunst in opdracht 1999-2005
Vlaams Bouwmeester, Brussels, 2007, pp. 292-293.


Carels, Edwin / Kremer, Marc / Roelstraete, Dieter (ed.)
Projectie: Technologie als Metafoor
Nai uitgevers, Amsterdam, 2006, ill. p. 64 and cover ill. (catalog)

Pauleit, Winfried, ‘Kino/Museum, Film als Sammlungsobjekt oder Film als Verbindung von Archiv und Leben’ in: Viktor Kittlausz / Winfried Pauleit (ed.)
Kunst – Museum – Kontexte. Perspektiven der Kunst- und Kulturvermittlung
Transcript Verlag, Bielefeld, 2006, pp. 113-135, ill.

Robberechts, Catherine, ‘Du mentir-faux’, in: Josse, Béatrice / Guénin, Hélène (ed.)
IN/VISIBLE, collection/productions FRAC Lorraine
JRP/RINGIER, Zürich, 2006, pp. 184-185, ill.

Weckwerth, George (ed.)
Kehrer Verlag, Heidelberg, 2006, pp. 130-131, 398, ill.


Torfs, Ana, Für Eisler
DeSingel, International Arts Campus, 2005, Antwerp, 28 p. (brochure)

De Baere, Bart / Bounameaux, Henry (ed.)
Contemporary Art in Belgium II
Best of Publishing, Brussels, 2005, pp. 214-217, ill.

Henneman, Inge, ‘Ana Torfs’, in:
Belgische Fotografen 1840-2005
Ludion, Ghent, 2005, pp. 282-283 ill.

Swinnen, Johan, ‘Ana Torfs, de geordende chaos’, in:
De lichte kamer. De onverborgen fotografie
Garant, Antwerp, 2005, pp. 91-92, 98, ill.

Fonds Mercator/Palais des Beaux-Arts (ed.)
La Belgique Visionnaire, Harald Szeemann
Mercator Fonds, Antwerp, 2005


Peeters, Wim (ed.)
Dedicated to a Proposition,New and Existing Projects by 18 artists,
extra edition of De Tijd, Antwerp, 2004, 8 p., ill. (exh.guide)


Robberechts, Catherine, ‘Du mentir-faux’, in: Agnieszka Morawinska / Hanna Wroblewska (ed.)
Réalités, Zacheta National Gallery, Warsaw, 2003, pp. 125-130, ill. (catalog)

Peeters, Wim, ‘Un négatif de l’histoire’, in:
Decennium, l’art belge et l’après Documenta IX
Ludion/Cera Foundation, Ghent, 2003, pp. 10-11, 30-33, ill.


Robberechts, Catherine, ‘Elective Affinities/The Truth of Masks & Tables of Affinities’, in:
ForwArt, a Choice
ING, Brussels, 2002, pp. 172-181, ill.(catalog)

Robberechts, Catherine, ‘Impossible Portraits’ in: Stepken, Angelika (ed.)
Uncertain Signs-True Stories
Badischer Kunstverein, Karslruhe, 2002, ill. (catalog)


Bex, Florent
Kunst in België na 1975
Mercatorfonds, Antwerp, 2001, pp. 161, 348, 398, ill.

Dressler, Iris, ‘Du mentir-faux’, in: Dressler, Iris / Christ, Hans D. (ed.)
Hartware 2001
Hartware MedienKunstVerein, Dortmund, 2001, pp. 17-18, 85, ill.(catalog)

Huber, Gauthier, ‘Esthétique du déplacement’, in: Bonvin, Laurence / Zürcher, Sarah (ed.)
9th Biennial of Moving Images
Centre pour l’Image Contemporaine Saint-Gervais, Geneva, 2001, pp. 114-117, 173, ill. (catalog)


Gale, Peggy, ‘Du mentir-faux’, in:
Tous le Temps/Every Time, La Biennale de Montreal
CIAC, Montreal, 2000, pp. 138-143, ill. (catalog)

Lion, Jenny, (ed.)
Magnetic North
University of Minnesota Press, Mineapolis, 2000, pp. 106-109, ill. (catalog)


Dumont, Isabelle, ‘Zyklus von Kleinigkeiten’, in:
5th KunstenFestivaldesArts
Brussels, 1998, file No. 18, ill. (exh.cat.)


Weckwerth, Georg (ed.)
Klangkunst, Prestel Verlag, Munich, 1996, pp. 144-145, ill.

Carels, Edwin, ‘Cultivated want’, in: De Zegher, Catherine (ed.)
Inside the visible
MIT press, Cambridge, 1996, pp. 192-197, ill. (catalog)


Prat, Thierry / Raspail, Thierry / Rey, Georges (ed.)
3e Biennale d’Art Contemporain de Lyon
Réunion des Musées Nationaux, Paris, 1995, pp. 286, 354—357, ill. (catalog & CD-ROM)


Baudson, Michel (ed.)
Prix de la jeune peinture belge
Fonds Mercator Paribas, Antwerp, 1994, pp. 54-55, ill. (catalog)

selected articles, reviews, lectures and interviews


Ana Torfs in conversation with Sabine Folie, Glean 3, Spring 2024, pp 100-105, ill. (in English)


Ana Torfs, Kras, in Glean nr 2, November 2023, pp. 30-31 (in Dutch)
Eliza Díaz Castelo, APROXIMACIONES A LA OBRA DE ANA TORFS Y MARIANA CASTILLO DEBALL, in: sextopiso, 4 April 2023 (in Spanish)


Merry Macmasters, En sus instalaciones, Ana Torfs da una lectura actual al pasado; exhibe en el MUAC, in: LaJornada, 1 February 2022 (in Spanish)

Christina Nafziger, I don’t know you like that: The Bodywork of Hospitality, in: Sixty Inches From Center, June 30, 2022 (in English)


Ana Torfs in De Liefhebber on Belgian Radio Klara, a two hour long conversation with host Katelijne Boon about my musical memories since childhood, 20 November (in Dutch)

Virginia Bautista, Logica entre text y imagen, Excelsior, 1 October 2021, p 27, ill. (in Spanish)

Ana Torfs, Visualisar el lenguaje, StyleFeelFree Magazine, 1 October 2021 (in Spanish)

Ana Torfs en América, Hypermedula, October 2020 (in Spanish)


Colette Dubois, Ana Torfs à Bozar, Flux News, 1 November 2020 (in French)

Ive Stevenheydens, Mysterieuze narratieven in Ana Torfs’ ‘The Magician & The Surgeon’ in het Brusselse Bozar, in: Metropolis M, 6 October 2020 (in Dutch)

Sebastien Hendrickx, Ana Torfs, The Magician & the Surgeon, in: De Witte Raaf, nr 207, September-October 2020 (in Dutch)

Jean-Marie Wynants, Le souffle d’Ana Torfs ensorcelle Bozar, in: Mad (le Soir), 15 September, 2020 (in French)

In conversation with Chantal Pattyn, https://klara.be/lees/herbeluister-pompidou-10-september-2020, Radio Klara, 10 September 2020 (in Dutch)

Eveline Vanfraussen, Impressies, The Magician & the Surgeon,, in: Hart Magazine, nr 206, September 2020 (in Dutch)

Jan Braet, The Magician & the Surgeon, Knack, 19 August 2020 (in Dutch)

Kurt Snoeckx, Scintillating mime and sweet revenge: Ana Torfs takes our breath away, Bruzz, 19 August 2020 (in English)

The Artist’s Breath, Johan De Smet in conversation with Ana Torfs, Bozar Magazine, 18 August 2020 (in English)

Guy Duplat, D’où vient l’air que nous avons en bouche?, in La Libre, 11 July 2020, ill. (in French)

Erik de Smedt, Beelden uit een tentoonstelling: Ana Torfs, Ooteoote, 16 July 2020, ill. (in Dutch)

Elise Dupré in Espresso, Radio Klara, 16 July 2020 (in Dutch)

Jozefien Van Beek, Danse Macabre, in De Standaard, 8 July 2020, p 5, ill. (in Dutch)

Michel Verlinden, Comme elle respire, in Focus Vif, 18 June, 2020, p 46 ill. (in French)

Raya Lindberg, Art somatique, in L’Art-Même 81, Mai 2020, pp 40-41, ill. (in French)

Kunst in Quarantaine, Ana Torfs: The Magician & the Surgeon, HART online, 1 April 2020 (in Dutch)


Isabell-Christin Rückert, Ana Torfs und die wandernden Wörter, 23 November 2018 (in German)

Dirk De Meyer, Generated Stories, Operating Ana Torfs’s Story Generator. lecture, Württembergischer Kunstverein, 17 February, 2018 (In English)

Katarzyna Ruchel-Stockmans, We have never been (post)modern: Photography’s late encounters with film, in: NECSUS – European Journal of Media Studies, July 10, 2018 (In English)

Ana Torfs, Echo’s Fate, lecture, 29 September 2018, MUAC, Mexico City (in English)

Kurt Snoekx, Akarova, la danseuse bruxelloise qui faisait bouger les lignes, BRUZZ, 26 April 2018 (in French)


Laura Kokkonen, History is Based on Translations, Kunstkritikk, 21 November 2017 (in English)

Jozefien Van Beek, Rorschachtest wordt Indonesisch poppenspel, 6 October 2017, De Morgen (in Dutch)

Ive Stevenheydens, Indonesië breed in beeld in bozar in Metropolis M, 11 December 2017 (in Dutch)

Sini Kuvaja, Porissa esittäytyvä taiteilija Ana Torfs luo taidetta, joka vaatii keskittymään, ‘Elämme typeryyden aikaa’ in: Satakunnan Kansa, 21 September 2017 (in Finnish)

Christophe Van Gerrewey, The Ideal Reader, Lecture, Centrale for Contemporary Art, Brussels, 25 March 2017, 17h30

Ana Torfs on ‘Anatomy’, lecture followed by a panel discussion with Sven Lütticken and Judy Radul, moderated by Rachel O’Reilly, in: Roaming Academy 12, Planetary Records: Performing Justice Between Art and Law, curated by Natasha Ginwala and Rachel O’Reilly, 11-12 March 2017 (in English)

Emiliano Battista, Turning History, Lecture, Centrale for Contemporary Art, Brussels, 18 January 2017, 18h30 (in English)

Lucette ter Borg, Anatomie van een moord, NRC, 23 maart 2017 (in Dutch)

Jozefien Van Beek, Er zijn verschillende versies van de waarheid, in: De Morgen, 10 March, 2017 (In Dutch)

Isolde Vanhee, Een prettige stuiptrekking, in: Rekto:Verso, 1 September 2017 (in Dutch)


A Tragedy in Two Acts, An email correspondence of Els Roelandt with Ana Torfs, 2006/2016, Hearings, Online Journal, October 2016 (in English)

Le Palmiste de Roussel, Lecture by Vincent Meessen, Centrale for Contemporary Art, Brussels, 9 November 2016, 18h30 (in French)

Roaming Assembly 8, Tell me your secret, Dutch Art Institute, Arnhem, 23 October 2016, convened by Ruth Noack (in English)

Repetição e diferença, Celso Martins in: Expresso Magazine, 2 April 2016 (in Portuguese)

“Um papagaio na Gulbenkian”, André Santos, in Time Out Magazine, 9 March 2016 (in Portuguese)

As palavras e os seus ecos, José Marmeleira, in: Publico:, 18 March 2016 (in Portuguese)

Emiliano Battista, Ana Torfs, By the Book, Lecture at Centro de Arte Moderna—Gubelkian Foundation, 12 March 2016

Ana Torfs, Echolalia, SAPO, 11 March 2016 (in Portuguese)

Ana Torfs, Echolalia, Da arte de bem traduzir, Sílvia Souto Cunha, in Visão 7, 10 March 2016 (in Portuguese)

Uma artista estudiosa procura o mundo atrás de cada palavra, Lina Santos in Diario de Noticias, 11 March 2016 (in Portuguese)


Ana Torfs, in The Unturned, an online platform curated by Alejandro Alonso Díaz & Thomas Stokmans (in English)

Dirk De Meyer, Generated Thoughts: On Ana Torfs’ Story Generator, Lecture in English, 19 November 2015, Studio Bouwmeester, Ravensteingalerij, Brussels (in English)

Mieke Bal, ‘Libranos del ahistoricismo: metahistorio para no historiadores, in: Blanco sobre blanco, issue nr 7, pp 10-29, ill. (in Spanish)

Jozefien Van Beek, Een alternatieve historie, in: De Morgen, 22 April, ill. (in Dutch)

Nele Wynants, Ana Torfs, Echolalia, in: ‘Forum +’, March 2015, pp. 47-48, ill. (in Dutch)


Christopher Olson, Reading Cinema, Finding Words, Art after Marcel Broodthaers, in: Border Crossings nr 129, March 2014, pp 94-95, ill. (in English)

Chantal Pattyn, De wereld volgens Ana, 11 September 2014 (in Dutch)

Interview of Ayako Shuto with Ana Torfs, “UnderWear Magazine #2”, Tokyo, Winter 2014, pp. 38-42, ill. (in English)

Symposium about Echolalia/Ana Torfs, with Juli Carson, Ruth Noack, and Emiliano Battista, organized by Sint-Lucas Antwerp, in collaboration with WIELS & Kunstenpunt, December 6, 2014

Sarah Crew, Echolalia, “The Bulletin”, 12 September 2014 (In English)

Wouter Davidts, Ana Torfs, in: Artforum, December 2014 (in English)

Bjorn Gabriels, “Ana Torfs travels through time and space in Wiels exhibition”: in Flanders Today, 12 September, 2014 (in English)

Rebecca Arthur, Every Story is a Travel Story, in My Art Guides, 2014 (in English)

Ana Torfs, Echolalia, in images, Mousse Magazine, 26 September 2014 (in English)

Christophe van Gerrewey, I want to hear you say it, in: De witte raaf, nr 172, November-December 2014, pp 10-12 (in Dutch)

Erik De Smedt, De echokamer, in: De Reactor November 2014 (in Dutch)

Eva Kirilof, One week in Brussels, in: The Bubblist, October 11, 2014 (in English)

Claude Blondeel, Blondeel’s choice of the week, Torfs’s unique imagery, on: tvBrussel, October 7, 2014 (in English)

Pascal Goffaux et Ana Torfs, Echolalia, “La Matinale de Musique 3”, 29 September, 2014 (in French)

Gwenaelle de Spa, Echolalia, in: “Artenews”, September 16, 2014 (in French)

Colette Dubois, “Echolalia/Les mots et les images”, Hart 133 en français, Novembre 2014 (in French)

Jeanne Fouchet-Nahas, Les echolalies d’Ana Torfs, in: Connaissances des Arts, October 13, 2014 (in French)

Ive Stevenheydens, Echo van de werkelijkheid, de beeld- en woordmachines van Ana Torfs, Agenda, September 12, 2014 (in Dutch)

Florence Cheval, Fantasmagories in “L’art-même”, nr 63, 2014 (in French)

Guy Duplat, L’archéologie de nos connaissances, La Libre, October 2, 2014 (in French)

Jean-Marie Wynants, Ana Torfs, Echolalia in: “Le Soir”, October 1, 2014 (in French)

Jan Blondeel, Echolalia, on: Cobra, 20 November 2014 (in Dutch)

Tom Van Imschoot, Echo’s redding, in Rekto Verso, tijdschrift voor cultuur en kritiek, nr 63, November 2014 (in Dutch)

Chantal Pattyn & Ana Torfs, “Echolalia”, in “Pompidou”, Radio Klara, 11 September, 2014 (in Dutch)

Fabrice Kada & Ana Torfs, “Echolalia“, in “Temps de Pause”, Musique 3, October 6, 2014 (in French)

Inge Braeckman, Over beeldende semantiek, HART nr 130, September 4, 2014 (in Dutch)

Vincent Delaury, Les échos multiples d’Ana Torfs, in: “Le journal des arts”, nr 672, October 2014 (in French)

Marc Ruyters, Een wereldreis van woorden en beelden, HART, nr 131, September 26, 2014 (in Dutch)

Sam Steverlynck, Er zit een papegaai in het museum, De Standaard, September 12, 2014 (in Dutch)

Eric Rinckhout, Woorden om de wereld mee te veroveren, De Morgen, October 1, 2014 (in Dutch)

Michel Verlinden, Joli doublé, in: Le Vif/L’Express, September 5, 2014 (in French)

Ann Rootveld en Ana Torfs, “Echolalia”, in “Bar du matin”, Radio 1, 14 September 2014 (in Dutch)

Lien Lammar, Echolalia, in: “De Campuskrant”, nr 2, 22 oktober 2014 (in Dutch)

Ana Torfs, TXT, Engine of Wandering Words in: Works & Days Quarterly, Nr 11, Summer 2014 (in English)

Evelyn Simons, Ana Torfs, Echolalia, This is Tomorrow, 3 December 2014


Franck Mercurio, The Way of the Shovel in: “Time Out Chicago”: (USA), November 22, 2013 (in English)

Alexandra Pazgu, Against Method, in Inhale Magazine, (RO, 8 October 2013) (in English)

Valérie Duponchelle, La Biennale de Sharjah en 15 artistes choc, in: “Le Figaro”, 21 March 2013, ill. (in French)


Doris Krystof, “Aus dem Reich der Untoten. Die funktion der Diapositive in Ana Torfs’ Installation “Anatomy’”, in: Profane Erleuchtung, Diapositive in Kunst und Kunstwissenschaft, Symposium, Hochschule für Bildende Kunst Braunschweig.

Sabine B. Vogel, ‘Kohle für die Manifesta’, in: TAZ (DE) June 5, 2012 (in German)

Marc Ruyters, ‘Manifesta 9, over kolen en kunst’, in: HART, (BE) May 10, 2012, # 96, p. 11, ill. (in Dutch)

Marion Braet, “‘Manifesta 9 mixt kunst met mijnerfgoed’”, in:“Kunstbeeld #6”, (NL) June 2012, pp 35-43, ill.

Ana Torfs in conversation with Samuel Korn in: Displayer 04 (DE) Staatliche Hochschule für Gestaltung, pp. 61-76, image portfolio pp 77-112 (in English)


Wittockx, Eva, “‘Best of 2011’”, in: Metropolis M (NL) December 2011/January 2012, p. 23

Kassandra Nakas
Distant Voices, Distant Views

Helen Chang, ‘Ana Torfs in Generali Foundation’, in: Frieze, March 2011, nr 137

Mackert, Gabriele
Ghosts, or On the Beauty of Plants and their Names in Times of Ignorance in Ana Torfs’ ‘Family Plot’


Lothar Frangenberg of Kunstaspekte in conversation with Ana Torfs, May 2010

Manisha Jothady, ‘Album/Tracks A+B’, in: Eikon, International Magazine for Photography and Media Art (AT)
November 2010, nr 72, ill.

Nina Schedlmayer, ‘Im Brennglas der Blume’, in:
Art Magazine (AT) October 28, 2010, ill.

‘Das Spiel mit der Identität’, in: Die Stadtspionin (AT)

Bal, Mieke, ‘Displacements’, lecture, Generali Foundation, Vienna (AT) December 2, 2010

Sandqvist, Gertrud, ‘What is Truth: on the Complications of Personal Judgement in the Work of Ana Torfs’, lecture in the context of Vienna Art Week
Generali Foundation, Vienna (AT) November 18, 2010

Pfaffenbichler, Norbert, ‘ALBUM/TRACKS B, Ana Torfs in Generali Foundation’, in:
Springerin (AT) October 2010, Heft 4, ill.

Probst, Ursula Maria, ‘Never Trust the Artist, Trust the Tale’, in:
Spike Magazine (AT) October 2010, issue nr 25, pp 131-132, ill.

Schwanberg, Johanna, ‘Unersetzbare kunstlerische Sprache’, in: Die Furche (AT) 14/10/2010, ill.

Borchardt-Birmbaumer, Brigitte, ‘Vielstimmige Bild-Elegien’, in: Wiener Zeitung (AT) 30/9/2010, p. 14, ill.

Huber, Michael, ‘Die Abgrunde des Nikotins und andere Geschichten von Ana Torfs’, in: Kurier (AT) 15/9/2010, Ill

Vogel B. Sabine, ‘ALBUM/TRACKS B in Generali Foundation’, in: Die Presse (AT) 6/9/2010, Ill.

Feßler, Anne Katrin, ‘Sezieren von Geschichte’, in: Der Standard (AT) 8/9/2010, Ill.

Schedlmayer, Nina, ‘ALBUM/TRACKS B in Generali Foundation’, in: Profil (AT) 3/9/2010, Ill.

Jacobs, Steven, ‘Introduction to screening of “Zyklus von Kleinigkeiten”’, lecture, Filmcasino, Vienna, September 3, 2010

Prawda, Angelika, ‘ALBUM/TRACKS B in Generali Foundation’, in: Der Standard (AT) 2/9/2010, Ill

Delbecque, Camille, ‘ALBUM/TRACKS A’, in:
Vocatio (BE)
August 2010, nr 37, pp. 14-18, Ill.

Hohlfeldt, Marion, ‘Demain vous n’y penserai plus’, in: Galerie Art & Essai (FR) Journal d’exposition nr 10, April 2010

Vogel, B. Sabine, Ana, Torfs, ALBUM/TRACKS A, in:
Artforum (US) May 2010

Van Parys, Yoann, ‘The share of the inexpressible’, in:
Camera Austria (AT) # 110, June 2010

Kiehl, Annette, ‘Installationen von Ana Torfs im K21 Düsseldorf’, in:
NRW (DE) April, 28, 2010

Bochynek, Martin, ‘Auch Reisen im Kopf bildet ungemein’, in:
Kölner Stadt-Anzeiger (DE) April 26, 2010

Behrens, Katja, ‘ALBUM/TRACKS A’, in:
Kunstbulletin (CH) 5/2010

Irene Müller, ‘ALBUM/TRACKS B’, in:
Kunstbulletin (CH) 10/2010

Van Bogaert, Pieter, ‘ALBUM/TRACKS A in Düsseldorf’, in:
HART #64 (BE)
25 March 2010. p. 3, ill. + cover

Scheuermann, Barbara, Der Name der Blume, in:
Missy Magazine #1 (DE) 22 February 2010, p. 97, ill.

de Smedt, Erik, ‘Ana Torfs’ anamorfosen’ in:
nY, website en tijdschrift voor literatuur, kritiek en amusement (BE) 7 April 2010

Kwakkenbos, Lars, ‘Een traan van Jeanne d’Arc’; in:
De Standaard (BE) 8 April 2010, pp. 30-31, ill.

Braet, Jan, Sprekend de waarheid
Knack (BE) 5 May, 2010, ill.

Nakas, Kassandra, Blending light. Filmic discourse and non-filmic narration in the work of Ana Torfs lecture
“The Discursive Space of Artists’ Films, AAH Annual Conference University of Glasgow”, (UK) 15-17 April, 2010

‘Ana Torfs ALBUM/TRACKS A in der Kunstsammlung Nordrhein-Westfalen’, in:
Artlout*, contemporary art magazine (DE) 04/10, p, ill.

Scheuermann, Barbara, “‘Performing Words as Artistic Strategy: Tell and Show’” in:
HART (BE) #62, 11 February 2010, Ill.


Nakas, Kassandra , Un-Sentimental Journeys. Exploring ‘Space’ in Ana Torfs’ Work, lecture
Invitation au voyage, Symposium
Ghent University (BE) December 2-4, 2009


Borchardt-Birbaumer, Brigitte, ‘Buchstaben wie Wasserfälle’, in:
Wiener Zeitung (AT) September 19, 2008, p. 21, ill.

Bünnagel, Doris, ‘Historische Texte in neuem Licht’, in:
DAADletter”, (DE) No. 2, August 2008

Bianchi, Paolo, ‘Ästhetik der Fotografie’, in:
Kunstforum International (DE)
No. 192, July/August 2008, pp. 118-168, ill.

Tieke, Kristina, ‘In Grauzonen, ANATOMY’, in:
Göttinger Tageblatt (DE) April 11, 2008, ill.

Irler, Klaus, ‘Aufklärung unerwunscht, ANATOMY, in:
taz nord (DE) April 14, 2008, p. 23, ill.

Krystof, Doris, ‘Raum und Theatralität in den Projektionen Ana Torfs’, lecture
Offscreen/Onscreen, Installationsästhetik und filmischer Raum in der zeitgenössischen Kunst, symposium
Universität zu Köln/Kunsthistorisches Institut, Zentrum für Moderne Forschung & Kölnischen Kunstverein, Köln (DE) June 6, 2008


Soraia Vilela, “‘Exposição destaca a teatralidade nas artes plástica’”, in:
DW (DE)September 7, 2007, ill.

Smolik, Noemi, ‘Talking Pictures’, in:
Artforum (US) December 2007, p. 367, ill.

Peeters, Wim, “‘Ana Torfs’ Trial Anatomy, Revolution’”, in:
Art Papers (US) Jan/Feb. 2007, pp. 26-29, ill. and cover ill.

Nasielski, Tania, ‘ANATOMY, Ana Torfs’, in:
Untitled (UK) No. 42, Summer 2007, pp. 14-15

Nakas, Kassandra, ‘Dissecting Life, On Ana Torfs’ Anatomy’, lecture
argos, centre for art and media, Brussels (BE) February 22, 2007

Renner, Sacha,‘Bild und Wahrheit’, in:
Tages-Anzeiger (CH) May 31, 2007

Kappeler, Suzanne, ‘Künstler auf den Spuren der Wissenschaft’, in:
Neue Zürcher Zeitung (CH) June 15, 2007

Beckman, Angelika, ‘Forschen und Erfinden’, in:
Photonews, Zeitung für Fotografie (DE) July/August 2007, ill.

Kühl, Christiane
‘Nach dem Shootout Putzen’, in:
Die Tageszeitung (DE) October 9, 2007 (in German)

Maass, Angelika, ‘Vom Staunen und Zeichenlesen’, in:
Thurgauer Zeitung (CH) June 2, 2007

Lauwaert, Dirk, ‘Anatomy, Ana Torfs’, in:
FotoMuseum Magazine (BE) No. 38, September 2007, p. 40, + portfolio pp. 41-47

Van Campenhout, Elke, ‘Talking Pictures’, in:
De Witte Raaf (BE) No. 129, September 2007, ill. (in Dutch)

Lambrecht, Luk ‘Goed voor oog en geest’, in:
Knack (BE) January 3, p. 60

Fiers, Els, ‘Ana Torfs, Anatomy’, in:
Focus Knack (BE) February 21, 2007, p. 89, ill.

Lambrecht, Luk, ‘Tussen verleden en heden, ANATOMY’, in:
Knack (BE), February 14, 2007, p. 55, ill.

Lauwaert, Maaike, ‘Het historische her-zien’, in:
Tubelight (NL) No. 49, March/April 2007

Koot, Roman ‘Borderline Behaviour’, in:
Tubelight (NL) No. 49, March/April 2007, ill.


Mackert, Gabriele ‘The World Observer’/‘Die Weltzuschauerin’, in:
Figuren/Projektionen 2000-2005
GAK, Bremen, 2006, pp. 5-19, ill.

Torrent, Jean, ‘à…à…aaah!’, in:
Figuren/Projektionen 2000-2005
GAK, Bremen, 2006, pp. 20-25, ill.

Lauwaert, Dirk, ‘The Intruder’, in:
Figuren/Projektionen 2000-2005
GAK, Bremen, 2006, pp. 44-48, ill.

Robberechts, Catherine, ‘Du mentir-faux’, in:
Figuren/Projektionen 2000-2005
GAK, Bremen, 2006, pp. 26-33, ill.

Robberechts, Catherine, ‘Elective Affinities/The Truth of Masks & Tables of Affinities’, in:
Figuren/Projektionen 2000-2005
GAK, Bremen, 2006, pp. 26-33, ill.

Asthoff, Jens, Ana Torfs in GAK, in:
Artforum’s Critics’ Picks (US) March 3, 2006

Allen, Jennifer
Ana Torfs in daadgalerie, in:
December 2006, pp. 323-324, ill.

Els Roelandt in conversation with Ana Torfs
BAM, now Kunstenpunt, Ghent (BE) September 2006

Friedrich Meschede, Kassandra Nakas, Dirk Snauwaert, lectures; moderator: Gabriele Mackert
Black Spots in History or Gaps of Language, Symposium
BAM/daadgalerie, Berlin (DE) September 30, 2006

Zein, Gloria ‘Die Ausdehnnug der Tatnacht, Die Geschichte wiederaufführen’, in:
taz (DE) November 7, 2006

Kuhn, Nicola
‘Luxemburg, Liebknecht, Politkowskaja: Ana Torfs’ in der daadgalerie’, in:
Der Tagesspiegel (DE) October 17, 2006

Müller, Katrin Bettina, ‘Verrat am menschlichen Denken, ANATOMY’, in:
TIP (DE) October 19, 2006, ill.

Müller, Ulrich ‘Installation, Ana Torfs’, in:
Zitty (DE) October 12, 2006, ill.

Cartier, Stephan ‘Umkleidkabine zur Wirklichkeit, Ana Torfs’ Figuren und Projektionen’, in:
Weser Kurier (DE) January 28, 2006, ill.

Beelte, Annedore ‘Die heilige Johanna spielt Theater’, in:
taz Bremen (DE) February 2, 2006

Beßling, Rainer ‘Ein Toast auf die Maske, Ana Torfs in der Bremer GAK’, in:
Kreiszeitung (DE) February 3, 2006, ill.

Dettmar, Stefanie, ‘Das Spiel mit den Geschlechtern, Projektionen der Belgierin Ana Torfs’, in:
Cellesche Zeitung (DE) February 16, 2006, ill.

Asthoff, Jens, ‘Ana Torfs in der Gesellschaft für Aktuelle Kunst’ in:
Kunstbulletin (DE) April 2006, ill.

Pauleit, Winfried, Eine Passage zwischen Kunst und Kino, lecture
GAK, Bremen (DE) February 23, 2006

Glasmeier, Michael, Stimme, Stimmung, Stimmen, Anmerkungen zu Ana Torfs, lecture
GAK, Bremen (DE) April 20, 2006

Ruyters, Marc,‘De waarheid in alle mogelijke talen misbruikt’, in:
<H>ART (BE) No. 12, October 2006, p. 11, ill.


Van der Speeten, Geert ‘Aan tafel met tien laureaten’, in:
De Standaard (BE) February 22, 2005, p. 21


Torrent, Jean, ‘Correspondences’, in:
A Prior Magazine #10 (BE) October 2004, pp. 47-55 + portfolio

Lauwaert, Dirk, ‘Reading as a Form of Writing, on the Texts in the Work of Ana Torfs’, in:
A Prior Magazine #10 (BE) October 2004, pp. 89-95 + portfolio

Pültau, Dirk, ‘The Blind Singer and the Absent Composer, on Music and Interdisciplinarianism in Two Works by Ana Torfs’, in:
A Prior Magazine #10 (BE) October 2004, pp. 111-120 + portfolio

Tucker, Sara, ‘Introduction to Approximations/Contradictions’
Dia Art Foundation (US) December 2004

Peeters, Wim, ‘An Economy of Truth. Everything You Always Wanted to Know About Belgian Art, But Were Afraid to Ask a Belgian’, in:
Flash Art (IT) No. 235, March 2004, pp. 80-83, ill.

Kwakkenbos, Lars, ‘E-Kunst’, in:
Elle-België (BE) December 2004, p. 54, ill.

Kwakkenbos, Lars, De vragen voorbij”: in:
De Standaard (BE) June 24, 2004, p. 26, ill.

Van Bogaert, Pieter, Tijdloos en op afstand, in:
De Tijd (BE) December 23, 2004

Kwakkenbos, Lars, ‘Veel vertellen met weinig’ in:
De Standaard (BE)December 24, 2004, p. 37, ill.

Ruyters, Marc / Lauwaert, Dirk, ‘Beelden om te lezen, teksten om te zien’, in:
De Tijd (BE) December 1, 2004, ill.

Dirk Lauwaert, The Intruder, 2004

Doove, Edith, Ana Torfs maakt ‘moeilijk’ beeldend werk op vele fronten tegelijk, in:
De Tijd (BE) December 23, 2004, p. 23, ill.


Marcelis, Bernard, ‘ForwArt’, in:
Art Press (FR) No. 286, January 2003

Carels, Edwin, ‘Enigmatische raadsels’ in:
De Tijd (BE)December 16, 2003, p. 16, ill.


Lambrecht, Luk,‘ForwArt’, in:
Flash Art (IT) November 1, 2002, ill.

Nabakowski, Gislind, “‘Uncertain Signs—True Stories’”, in:
Springerin (AT) Heft 2, 2002, pp. 71-72

Hübl, Michael, ‘Uncertain Signs-True Stories’, in:
Kunstforum International (DE) No. 160, 2002, pp. 413-415

Hübl, Michael, ‘Ab wann beginnnen Geschichten wahr zu werden’, in:
Badische Neueste Nachrichten (DE) April 23, 2002

Patzer, Georg ‘Die unsichere Charakter der Wahrnehmung’, in:
Die Rheinpfalz (DE) June 5, 2002

Kwakkenbos, Lars, Maskerade in de bibliotheek in:
De Standaard (BE) October 24, 2002, p. 12, ill.

Braet, Jan, Mensen in donkere dagen in:
Knack (BE) November 6, 2002, pp. 112-113, ill.

Braet, Jan, ‘Een koekoek op de Kunstberg’, in:
Knack (BE) October 30, 2002, p.70

Broucke, Nica, ‘Een berg kunst’, in:
De Morgen (BE) October 28, 2002, p. 34

Roelandt, Els Het mysterie voorbij in:
De Tijd (BE) December 4, 2002, p. 9, ill.

Carels, Edwin, ‘Vaste meerwaarde of valse investering, ForwArt’, in:
De Tijd (BE) October 2, 2002

Lemaître, Isabelle, ‘ForwArt 2002, Au cœur du Mont des Arts’, in:
L’Art Même (BE) November 6, 2002, ill.


Drühl, Sven, Chiffren und Legenden in:
Kunstbulletin (DE) April 2001, ill.

Chardon, Elisabeth ‘Musiques et images en tête-à-tête amoureux’, in:
Le Temps (CH) November 3, 2001, p. 2, ill.

Bronwasser, Sacha, Een glimp van kruisbestuiving tussen beeld en kunst, in:
De Volkskrant (NL) January 27, 2001, p. 8

Den Hartog Jager, Hans Verzet tegen zapcultuur, in:
NRC Handelsblad (NL) January 29, 2001, p. 9

Voorhuis, Nelly ‘Het weifelende beeld, de invloed van film op beeldende kunst’, in:
Vitrine 2001 (NL) pp. 34-37, ill.


Lauwaert, Dirk, ‘Portrait of my Heroine’ in:
DU MENTIR-FAUX, Société des Expositions du Palais des Beaux-Arts, Brussels, 2000, pp. 63-71

Tarantino, Maria, ‘Ana Torfs’, in:
The Bulletin (BE) October 26, 2000, p. 25, ill.

Leydier, Richard, ‘Biennale de Montreal’, in:
Art Press (FR) No. 263, pp. 71-72

Delgado, Jerôme ‘Une palette d’art réussie’, in:
La Presse (CA) October 16, 2000, p. 6, ill.

Laurent, Claude, Les solos d’Ana Torfs et Christophe Boulanger in:
Le Palais des Beaux-Arts (BE) September 2000, p. 23, ill.

Laurent, Claude, Tentative de portrait vérité d’une héroine déchue, in:
La Libre Belgique (BE) September 21, 2000, ill.

Marcelis, Bernard, ‘Narrations, Fictions, Installations’, in:
Le Matin (BE) October 13, 2000, ill.

Britto Jinorio, Orlando, ‘Bienales y encuentros de arte contemporaneo’, in:
Lapiz (ES) No. 167, pp. 62-67, ill.

Fiers, Els ‘Ana Torfs’, in:
Focus Knack (BE) October 4, 2000, p. 92

Lambrecht, Luk, Het proces van een mythe in:
Het Kunstenpaleis (BE) September 2000, p. 22, ill.

Torfs, Ana, ‘Du mentir-faux’, in:
Obscuur (BE) No. 18, December 2000, pp. 17-23, portfolio

Sartor, Freddy, ‘De neef van Beethoven’ in:
Cinemagie (BE) No. 231, Summer 2000, p. 91

Min, Eric, Een stille film in:
De Morgen (BE) November 15, 2000

Braet, Jan, Van de kant van het licht
Knack (BE) October 11, 2000, p. 76, ill.

Demeester, Anne, ‘Het valse liegen’, in:
De Tijd (BE) October 4, 2000, ill.

Laureyns, Jeroen, Intrigerende beelden over Jeanne d’Arc, in:
De Standaard (BE) October 3, 2000, p. 10, ill.

Pültau, Dirk, ‘De neef van Beethoven’ in:
De Witte Raaf (BE) March/April 2000, pp. 38-39


Goumaz, Magalie,‘Les dernières années de Ludwig Van Beethoven’, in:
La Liberté (CH) July 2, 1999, p. 43, ill.

Carels, Edwin, De nicht van Bresson in:
De Tijd (BE) December 22, 1999, p. 20, ill.

Lauwaert, Dirk, De neef van Beethoven in:
Sint-Lukasgalerij (BE) No. 2, November 1999, p. 8

Torfs, Ana, ‘De neef van Beethoven’ in:
Sint-Lukasgalerij (BE) No. 2, November 1999, portfolio pp. 9-12

Linssen, Céline, Een zee van ruimte, in:
Skrien (NL) No. 234, June 1999, pp. 16-19, ill.

Deridder, Tom, ‘Zyklus von Kleinigkeiten’, in:
Film & Televisie (BE) No. 490, March 1999, p. 39, ill.

Braet, Jan, ‘Een adelaar aan een touw’, in:
Knack (BE) December 22, 1999, p 99, ill.

Beerekamp, Hans, ‘Film over dove Beethoven, Torfs verdient troostprijs’, in:
NRC Handelsblad (NL) January 30, 1999

Heg, Hans, ‘Aardappelen schillen tijdens de Missa Solemnis’, in:
De Volkskrant (NL) January 22, 1999, p. 10, ill.

Stigter, Bianca, ‘De schriftjes van Beethoven’, in:
NRC Handelsblad (NL) May 26, 1999


Ancion Laurent
‘Des pellicules de vie, emportées par le sens’, in: Le Soir (BE)
April 29, 1998, p. 3

Simon, Philippe, ‘Syncopes’, in:
Synergie (BE) May 1, 1998

Ancion, Laurent, ‘Portraits en marge du cinéma officiel’, in:
Le Soir (BE) May 14, 1998, p. 11

Baeten, Marleen, ‘Eerst de taal, dan het beeld’, in:
Etcetera (BE) No. 65, October 1998, pp. 48-51, ill.

Lauwaert, Dirk, Beethoven buiten beeld, in:
Muziek en Woord (BE) May 1998, pp. 13-14, ill.

Luyckx, Filip, Ana Torfs bevraagt filmconventies in:
Sint-Lukasgalerij (BE) No. 5, May 1998, p. 16

Boonen, Annemie, Fascinerende blik op Beethoven in:
De Standaard (BE) May 18, 1998, p. 9, ill.

Boonen, Annemie, ‘Kunstenfestival produceert films’, in:
De Standaard (BE) May 6, 1998, p. 6

Asselberghs, Herman, ‘De grote afwezige’, in:
De Tijd (BE) April 29, 1998, p. 5, ill.


Wissman, Kathrin
‘Augen hören, Ohren sehen’, in:
Der Tagesspiegel (DE)
August 14, 1996, p. 20

Gildemyn, Marie-Pascale, ‘De derde biennale van Lyon’, in:
Sint-Lukasgalerij (BE) No. 5, May 1996, pp. 6-7, ill.


Wulffers, Albert, ‘Il combattimento’, in:
Cinematheekkrant (NL) No. 43, 1995, pp. 4-5


Zimmer, Elisabeth, ‘Tights, camera, action’, in
Village Voice (US) August 10, 1993

Asselberghs, Herman, ‘Video als grensganger’, in:
Etcetera (BE) No. 43, November 1993, pp. 37-38, ill.